No
Politics. No Stars. No Sh*t.
This
has been our slogan since 1998. What has also been with us since
the beginning is something we call ‘THE TRUE LIFE.’
With all the politics that rule festival decisions worldwide - this
statement is as TRUE today as it was back then and will remain the
mission statement of DWF.
The
True Life (and always painful)
Story of the Independent Filmmakers Road to Salvation
In
the beginning God, along with a lot of struggling filmmakers, created
the independent film festival. It was born to celebrate that breed
of artists who, thru no fault of their own, were not born into Hollywood’s
royalty and therefore had little opportunity to screen their gems;
no uncle in production, no cousin that had directed the latest blockbuster.
And so it began...
The
Birth...
The
original intention of the festival was to create a platform so that
filmmakers, no matter what their race, color, religion or sexual
orientation, could truly get a fair shake after all the blood, sweat
and tears of production were over. Through the years, multitudes
of festivals sprung up across the globe to accommodate these vagabound
warriors.
...The
Life...
To
a great extent these shindigs foot the bill for a number of years,
offering up heaping helpings of raw, unadulterated talent. Then
the ‘Players’ showed up...and filmmakers celebrated.
They took lunches. They took dinners. They created bidding wars
to the enthusiastic delight of the very few.
...The
Death.
Then
a bad thing happened. Politics. Commercialization. Festivals realized
the potential market value and began seeking out films with the
word most dreaded by a struggling independent filmmaker - ‘names.’
‘Known’ actors, ‘known’ directors, ‘known’
producers...you get the point. Films began to ‘premiere’
with distribution in place.
Think
of these ‘names’...Jim Jarmusch, Spike Lee, Bryan Singer
...If they were competing in today’s independent festival
market with their first films...would they have been given a chance?
With the ever increasing supply of low budget projects and the independent
film scene at a record high, there has never been a more ripe time
for a return to the basics.